I Play Rocky is a crowd pleasing look at the making of a movie classic, featuring a great lead turn from Anthony Ippolito. Here's our review.
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Zach Cregger's Resident Evil is a fast-paced, ultra-gross horror-comedy that's immensely fun to watch. Here's our review.
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Martin McDonagh's Wild Horse Nine, with John Malkovich And Sam Rockwell, is a wonderfully written, beautifully performed elegy of a film.
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A Robin Hood origin story that isn't actually about Robin Hood, The Uprising has nothing interesting to say about anything, really. Here's our review.
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Nostalgia isn't nearly enough to save Practical Magic 2, a messy, unfunny sequel that's had one too many margaritas. Here's our review.
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The wild and intense sci-fi thriller Hope deserves credit for aiming high...even if it can't stick the landing. Here’s our review.
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Mayday tries to capture the spirit of a 1980s buddy action comedy, but Ryan Reynolds and Kenneth Branagh may not have been the right pair for the job.
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The surprisingly fun thriller Fall didn't exactly warrant a sequel, but Fall 2: Deadpoint ends up rising to new heights. Here's our review.
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Adam Wingard's Onslaught is an unabashedly violent grindhouse grab bag that channels the best of John Carpenter. Here's our review.
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Adam Scott and a sleepy Robert De Niro team up to find a serial killer in Netflix's mostly okay thriller The Whisper Man. Here's our review.
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Ridley Scott's The Dog Stars, featuring Jacob Elordi and Margaret Qualley, is an odd post-apocalyptic drama. Here's our review.
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Alexander Ullom's feature directorial debut, It Ends, is a strong cap to a powerhouse summer for first-time horror filmmakers. Here's our review.
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Insidious: Out of the Further is as fun as it is frightening and delivers a fresh take on familial horror. Here's our review.
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While Mutiny may not necessarily be the best Jason Statham film, it feels like the most quintessential. Here's our review.
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Kristen Stewart and Alia Shawkat are BFFs under the influence and mixed up in mayhem in the light but very charming comedy The Wrong Girls. Here's our review.
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After a delay due to corporate nonsense, Coyote vs. Acme, itself made in 2022, is all the more timely in the face of 2026's ultra-corruption. Here's our review.
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The End of Oak Street is a highly personal movie that resonates with its depth as much as it delights with its action and visual effects. Here's our review.
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Despite a bizarre, unsettling premise, One Night Only is a sharp, sweet, and genuinely funny romantic comedy. Here’s our review.
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Teenage Sex and Death at Camp Miasma, starring Hannah Einbinder and Gillian Anderson, is a post-analysis explosion of cathartic queerness. Here's our review.
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Strong performances keep the Anthony Bourdain biopic Tony from getting bogged down by overly-familiar cliches. Here's our review.
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If the movie has you interested in rolling up a fantasy adventurer, we have good news: there's never been a better time to learn D&D.
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What's satisfying about Spider-Man: Brand New Day is that it looks and feels like a real movie, and gives Spidey the adventure he deserves. Here's our review.
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Nicolas Winding Refn's Her Private Hell combines vintage giallo with modern melodrama to create a glossy, confounding fairy tale. Here's our review.
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Where the heck do you start with Moon Knight comics? We've got you covered.
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While some sections drag, Christopher Nolan's The Odyssey is a massive, awe-inspiring experience with a surprising emotional hook. Here's our review.
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Evil Dead Burn is stylish, bloody, and, best of all, a lot of fun, with small comedy bits mixed into the horror. Here's our review.
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The 'live-action' remake of Moana barely counts as live-action. It's also bland, artificial, and forgettable. Here's our review.
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