Five Nights at Freddy's director Emma Tammi has a strong grasps on the beloved property, making her the ideal choice to direct any and all future sequels.
With Totally Killer, the creator of Fresh Off the Boat and Young Rock has made a time traveling horror comedy. Here's our conversation with Nahnatchka Khan.
David Gordon Green, the director of the new horror sequel The Exorcist: Believer, tells us about the difference between directing that and his Halloween films.
The director of Foe tells us about what Saoirse Ronan brought to her role, working with Paul Mescal, and crafting a challenging, engaging new sci-fi parable.
A24's Dicks: The Musical director tells us about adapting a stage play, the mystery of working with Megan Thee Stallion, creating a flying vagina, and more.
The Assistant director Kitty Green spoke with us about her suspenseful new thriller The Royal Hotel, which she describes as the 'hardest job' she's ever done.
Unlike his Halloween trilogy, David Gordon Green's The Exorcist: Believer required the director to take a more atmospheric, character-driven approach to horror.
Our Flag Means Death season 2 sees the introduction of a new character played by Ruibo Qian -- one whose historical authenticity isn't exactly by the book.
We spoke with Leprechaun writer/director Mark Jones about the best and worst Leprechaun films, working with soon-to-be-star Jennifer Aniston, and more.
The Breaking Bad writing staff was under a tremendous amount of pressure to end the show on a high note with its fifth season. Here's how they pulled it off.
We spoke to Our Flag Means Death creator David Jenkins about the beloved pirate comedy's second season, casting guest stars, practical sets, and much more.
Before the physical media release of Prey (available today), we spoke with director Dan Trachtenberg about creating Predator weapons, a deleted scene, and more.
The Comedians of Comedy was produced by Netflix in 2005, years before streaming, and it's a raw and entertaining chronicle of a hilarious stand-up tour.
The Creator director gave his VFX team an unusual task: Create blockbuster-level visual effects without the typical equipment on set. Here's how they did it.