Austin Butler reminds us he's a movie star and Darren Aronofsky gets to have some fun for a change with the crime flick Caught Stealing. Here's our review.
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Benedict Cumberbatch and Olivia Colman and delightfully despicable and charming in The Roses, a hilarious dark comedy about a crumbling marriage.
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Incredible stunt work and a great lead performance from Samara Weaving help make the action flick Eenie Meanie a satisfying experience. Here's our review.
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Whether you're looking for comedy or action, it's hard to top Jackie Chan's martial arts flicks. Here, we rank Chan's 18 best.
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Hell House LLC: Lineage, the final entry in the horror franchise, ditches found footage for slow pacing and mystery solving. Here's our review.
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Peacemaker season 2 goes to places few other superhero stories would dare, with all of the style and humor we've come to love from creator James Gunn.
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After getting off to a rough start, Spike Lee and Denzel Washington find the right rhythm with their Akira Kurosawa remake Highest 2 Lowest. Here's our review.
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Nobody 2 cuts right to the chase to give us a brisk, violent 89 minutes of Bob Odenkirk beating up bad guys. Here's our review.
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Tim Burton and Jenna Ortega return for Wednesday season 2, which improves on the show's formula by making the Addams Family major characters.
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Jamie Lee Curtis and Lindsay Lohan make a delightful return in Freakier Friday, a satisfying sequel that doesn't get bogged down in nostalgia and callbacks.
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Alien: Earth looks great, but the Noah Hawley series adds very little to the mythology and ends up feeling surprisingly boring. Here's our review.
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The Naked Gun brings comedy back to theaters in a thoroughly satisfying, gut-busting fashion, resulting in the funniest movie of 2025 so far.
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A wonderfully twisted mixture of bad vibes and macabre fun, Weapons is one of the best horror movies of the year. Here's our review.
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Marvel rebounds with The Fantastic Four: First Steps, a film where superheroes actually use intelligence to make the world a better place. Here's our review.
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The new I Know What You Did Last Summer embraces humor and surpasses expectations, nailing the nostalgia in the process. Here's our review.
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James Gunn's Superman is unapologetically silly, embracing a charming comic book logic where anything is possible. Here's our review.
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Ari Aster plays with political fire with Eddington, a twisted Western that serves as a dark depiction of the state America has gotten itself into.
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Jurassic World Rebirth features some great dinosaur action but suffers from paper-thin human characters and modern blockbuster constraints. Here’s our review.
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Squid Game season 3 brings the Netflix series to a conclusion that feels both inevitable and underwhelming. Here's our review.
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After a somewhat disappointing third season, The Bear season 4 returns to the show's strengths with emotional results. Here's our review.
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Whether M3GAN 2.0 is brilliant satire or a hot mess depends entirely on your tolerance for action-packed nonsense and genre whiplash. Here's our review.
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The new Marvel Disney+ series Ironheart remembers the secret sauce that made us all love the MCU in the first place: the characters. Here's our review.
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For the 50th anniversary of Jaws, Universal Studios theme parks have a new sipper offering a cumbersome but fun way to drink with the cinema's deadliest shark.
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28 Days Later is both very scary and surprisingly emotional, although a baffling ending robs the film of some of its power.
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The animated sci-fi adventure Elio is full of laughs, heart, and dazzling visuals and feels like the best Pixar original since Coco. Here's our review.
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Brad Pitt tries to outrace a midlife crisis in F1, a film with great racing scenes but weak characters and a bloated runtime. Here's our review.
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Star Trek: Strange New Worlds is more confident than ever in season 3, and it doesn't stumble for a second. Here's our review.
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