The mysterious youth of Jesus gets the horror movie treatment with the surprisingly creepy The Carpenter's Son, starring Nicolas Cage. Here's our review.
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Edgar Wright struggles with his adaptation of Stephen King's The Running Man, even though Glen Powell is trying to make it all work. Here's our review.
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Jennifer Lawrence gives a raw, feral, and brilliant performance in Lynne Ramsay's disturbing (and darkly funny) Die My Love. Here's our review.
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Vince Gilligan reunites with Rhea Seehorn for Pluribus, an offbeat sci-fi drama-comedy with a great premise and an even better lead performance.
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Dan Trachtenberg's Predator: Badlands is easily the funniest, most heartfelt, and boldest Predator movie of them all. Here's our review.
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Liam Hemsworth does a fine job taking over for Henry Cavill on The Witcher, but uneven writing makes season 4 the weakest entry in the franchise so far.
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The prequel series It: Welcome to Derry brings back Pennywise and unleashes a surprisingly gory story with plenty of nightmare fuel. Here's our review.
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Springsteen: Deliver Me From Nowhere is frequently too formulaic, but Jeremy Allen White's performance as the Boss is incredible. Here's our review.
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Guillermo del Toro's Frankenstein is a beautiful blend of horror and gothic romance, with a stunning performance from Jacob Elordi. Here's our review.
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Yorgos Lanthimos and Emma Stone reunite yet again for Bugonia, a cynical dark comedy with a trio of memorable performances. Here's our review.
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Scarlet is being sold as an anime reimagining of Hamlet, but don't expect a full-blown adaptation of the classic play. Here's our review.
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Tim Robinson uncovers a vast conspiracy (unless he doesn't) in the hilarious dark comedy series The Chair Company. Here's our review.
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Tron: Ares has little imagination, a boring lead actor, and wastes the talents of Greta Lee. Great Nine Inch Nails soundtrack, though! Here's our review.
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Julia Roberts and Ayo Edebiri are excellent in Luca Guadagnino's deliberately ambiguous thriller-drama After the Hunt. Here's our review.
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Martin Scorsese's life and career gets the docuseries treatment with the delightful Mr. Scorsese, a celebration of one of the best filmmakers of all time.
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Kathryn Bigelow returns with A House of Dynamite, a well-crafted nerve-shredding thriller about impending nuclear war. Here's our review.
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Good Boy proves you can teach an old subgenre new tricks by telling a haunted house story from the POV of a very good dog. Here's our review.
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While Anemone doesn't make for the most energetic or thematically coherent of directorial debuts, it does mark an incredible return for Daniel Day-Lewis.
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After far too long of a break, director Gore Verbinski is back with the sci-fi oddity Good Luck, Have Fun, Don't Die. Here's our review.
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Park Chan-wook's new must-see dark comedy satire No Other Choice is the funniest feel-bad movie in ages. Here's our review.
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The remake of infamous Christmas slasher Silent Night, Deadly Night finds a way to both pay tribute to the original while forging a new, bloody path.
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Benny Safdie's The Smashing Machine is a surprisingly tender sports film with an excellent dramatic turn from Dwayne Johnson. Here's our review.
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Black Phone 2 avoids retreading the first movie, pivoting to an awesome Dream Warriors-esque story that turns The Grabber into an undead nightmare.
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The Strangers: Chapter 2 manages to be an improvement over its predecessor, but still feels like it's betraying the premise of the franchise.
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V/H/S/ Halloween keeps the horror anthology franchise fresh with the funniest installment yet, and a twist of truly disturbing darkness.
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The weird sports horror movie Him has some stylish moments and a genuinely great performance from Marlon Wayans, but something's missing. Here's our review.
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Paul Thomas Anderson's darkly hilarious One Battle After Another, starring Leonardo DiCaprio, is the best movie of the year.
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