Francis Ford Coppola is back with his long-gestating passion project Megalopolis. The end result is both messy and a must-see. Here's our review.
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Coralie Fargeat's funny, gruesome The Substance, starring Demi Moore and Margaret Qualley, is audacious and unforgettable. Here's our review.
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Crawl and The Hills Have Eyes director Alexandre Aja creates a creepy fairy tale with Never Let Go, starring Halle Berry. Here's our review.
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Few movies in recent memory have a better grasp of what coming of age is really like than My Old Ass, starring Aubrey Plaza & Maisy Stella. Here's our review.
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The Penguin would've been better as a movie instead of a TV show, but Colin Farrell and Cristin Milioti both turn in memorable performances. Here's our review.
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The animated Transformers One is like a breath for fresh air for the Transformers franchise. Here's our review.
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Kevin Smith ventures into John Hughes-inspired romantic comedy territory with The 4:30 Movie, but has some trouble shedding his old habits. Here's our review.
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With Saturday Night, Jason Reitman delivers a crackling, comical chronicle of the chaotic 90 minutes before the premiere of SNL. Here's our review.
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The American remake of the shocking horror movie Speak No Evil ends up holding its own, finding new ways to engage with familiar material. Here's our review.
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His Three Daughters is an honest drama about grief featuring magnificent performances from Carrie Coon, Natasha Lyonne, & Elizabeth Olsen. Here's our review.
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Red Rooms, a horror thriller about a woman who becomes obsessed with a serial killer, will make your skin crawl. Here's our review.
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The A24 horror movie The Front Room isn't gory, but it will gross you out. Here's our review.
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Lady Gaga is a revelation in Joker: Folie à Deux, a bold musical that further deconstructs the infamous Batman villain. Here's our review.
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Aaron Pierre delivers a star-making turn in Jeremy Saulnier's intense Netflix action thriller Rebel Ridge. Here's our review.
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Beetlejuice Beetlejuice isn't just a good sequel – it's a return to form for Tim Burton, a filmmaker whose work used to matter, and should continue to matter.
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Frequently funny and consistently stylish, Wolfs, starring George Clooney and Brad Pitt, is an enjoyable enough crime comedy. Here's our review.
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Lee Daniels' The Deliverance has memorable performances from Andra Day and Glenn Close, but its mix of horror and family drama underwhelms. Here's our review.
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Terminator: Zero has a terrifying new robot assassin and gorgeous animation, but it's overly focused on set-up for something bigger.
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The Lord of the Rings: The Rings of Power season 2 remedies the problems of season 1 (and Tom Bombadil fans are going to be delighted). Here's our review.
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Adam Sandler is back with Love You, a new comedy special on Netflix with a mix of stand-up, silly new songs, and a lovely tribute to comedy. Here's our review.
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The fourth season of Only Murders in the Building goes Hollywood in more ways than one, resulting in the biggest, funniest, and most meta mystery yet.
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With his remake of The Killer, John Woo isn't trying to recapture his masterpiece but instead continuing a reappraisal of his own work. Here's our review.
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Like many remakes, The Crow feels perfunctory and thoughtless. Here's our review of the new movie starring Bill Skarsgård.
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If you're looking for a great movie to watch, we've got you covered. Welcome to our continuously updated list of the best movies of 2024 so far.
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The twisty, stylish Strange Darling is a flashy thriller that will keep you guessing. Here's our review.
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Alien: Romulus is well-made and even occasionally scary, but too much of the movie feels devoted to referencing what came before. Here's our review.
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Zoe Kravitz's Blink Twice is a genuine, jaw-dropping thrill ride, and the biggest surprise film of the year. Here's our review.
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