Few movies in recent memory have a better grasp of what coming of age is really like than My Old Ass, starring Aubrey Plaza & Maisy Stella. Here's our review.
The Penguin would've been better as a movie instead of a TV show, but Colin Farrell and Cristin Milioti both turn in memorable performances. Here's our review.
Kevin Smith ventures into John Hughes-inspired romantic comedy territory with The 4:30 Movie, but has some trouble shedding his old habits. Here's our review.
The American remake of the shocking horror movie Speak No Evil ends up holding its own, finding new ways to engage with familiar material. Here's our review.
His Three Daughters is an honest drama about grief featuring magnificent performances from Carrie Coon, Natasha Lyonne, & Elizabeth Olsen. Here's our review.
Beetlejuice Beetlejuice isn't just a good sequel – it's a return to form for Tim Burton, a filmmaker whose work used to matter, and should continue to matter.
Lee Daniels' The Deliverance has memorable performances from Andra Day and Glenn Close, but its mix of horror and family drama underwhelms. Here's our review.
The Lord of the Rings: The Rings of Power season 2 remedies the problems of season 1 (and Tom Bombadil fans are going to be delighted). Here's our review.
Adam Sandler is back with Love You, a new comedy special on Netflix with a mix of stand-up, silly new songs, and a lovely tribute to comedy. Here's our review.
With his remake of The Killer, John Woo isn't trying to recapture his masterpiece but instead continuing a reappraisal of his own work. Here's our review.
Justin Baldoni adapts Colleen Hoover's It Ends with Us with Blake Lively in the lead role, and our review finds the movie to be infuriating and manipulative.