An American man moves his family to peaceful, picturesque Norway and pays the price for not respecting the local creatures in There's Something in the Barn.
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The creative team behind Turbo Kid returns with zombie action comedy We Are Zombies, set in a world where zombies are peaceful underdogs.
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If you enjoyed the torturous anxiety of Uncut Gems, take your soul on another journey of pain with Caye Casas' super dark comedy The Coffee Table.
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The Pet Sematary prequel Pet Sematary: Bloodlines wastes a good premise on a rushed, choppy, unscary film. Sometimes, dead is better indeed.
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Emerald Fennell's new film Saltburn is a delicious, devilish descent into the cruelty of wealth, and it gives Barry Keoghan another chance to shine bright.
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Gather around, sickos! Horror filmmaker Demián Rugna (Terrified) returns with a tale of rapidly spreading demonic possession in When Evil Lurks.
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In Jason Yu's thriller Sleep, there are worse things in a marriage than being woken up by your partner snoring.
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The long-running horror anthology series continues with V/H/S/85, one of the most ambitious and consistent entries in the franchise.
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Mike Flanagan tackles the world of Edgar Allan Poe with his somewhat disappointing new Netflix series The Fall of the House of Usher. Here's our review.
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Kaitlyn Dever delivers a mostly dialogue-free performance in the entertaining alien invasion thriller No One Will Save You. Here's our review.
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Macon Blair's The Toxic Avenger remake is gory and silly and probably made for about a dozen people. Maybe you're one of them.
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Action sequel Expendables 4 (aka Expend4bles) is probably the best entry in the franchise, and that's not really saying much at all. Here's our review.
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The John Wick prequel series The Continental is a dour, poorly-lit, and oftentimes humorless slog that can't hold a candle to the movies that inspired it.
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Episode 6 of the Star Wars show Ahsoka gave us a brilliant build-up toward the series' final conflict.
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Kitty Green's The Royal Hotel, starring Julia Garner and Jessica Henwick, feels like a thriller that turns into a full-blown horror movie.
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While Rustin can often feel like a by-the-numbers biopic, it excels thanks to an award-worthy performance from star Colman Domingo.
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The board game Aliens: Bug Hunt combines dungeon crawler and tower defense mechanics to bring the frantic gunfights of Aliens into a fast and friendly game.
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Taika Waititi's Next Goal Wins feels like it's made by a director out of ideas -- it's a film made up of lazy, visually vacant, and soulless filmmaking.
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Atom Egoyan's Seven Veils, starring Amanda Seyfried, is a curious, ambitious film that never quite comes together. Here's our TIFF review.
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The latest new Blu-ray releases worth checking out include Spider-Man: Across the Spider-Verse, No Hard Feelings, The Little Mermaid remake, and more.
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Pablo Larraín's stylish El Conde reimagines Augusto Pinochet as an ancient vampire, but the film never does enough with that novel premise.
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Anna Kendrick's directorial debut Woman of the Hour is a strong thriller based on a shocking true story. Here's our TIFF review.
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LEGO's latest recreation of the final battle in Avengers: Endgame makes for a cool display piece, but we wish it offered a more complete build.
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The 2023 Toronto International Film Festival is underway up in Canada, and there are some bloody good horror gems drumming up buzz. Learn about them right here!
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Chris Pine's directorial debut Poolman is an unfortunate misfire - a comedy that's never very funny with characters who just don't work. Here's our TIFF review.
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Pain Hustlers, starring Emily Blunt and Chris Evans, badly wants to be the Wolf of Wall Street, but comes nowhere close to matching that great movie.
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The Holdovers is proof that we need more thoughtful, studied, loving, and irresistible human stories on screen. Here's our review from TIFF.
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