David Fincher was not a fan of Dirty Harry, which led the director to make another movie inspired by the real-life, unsolved mystery of the Zodiac Killer.
The composers provided the score for several different projects that are wildly divergent in tone, but they always bring a sense of curiosity to their work.
O Brother, Where Art Thou? was one of the first films to be entirely color timed through a digital intermediate, and that's a bigger deal than it might sound.