The score for Brian Duffield's fantastic sci-fi thriller No One Will Save You, composed by Joseph Trapanese is now available on vinyl from Waxwork Records.
Kill is a near-perfect action thriller that's stuck in overdrive, a special brand of action showstopper that will leave you begging for more. Here's our review.
The Creator director gave his VFX team an unusual task: Create blockbuster-level visual effects without the typical equipment on set. Here's how they did it.
For the first time in Saw franchise history, Saw X has a post-credit scene. Here's what that scene is all about, what it means, and why it happened. Spoilers!
Infested is a creepy, crawly, very unsettling movie about killer spiders. It's also a film about an apartment complex that will remind you of Attack the Block.
Oren Soffer worked with Oscar winner Greig Fraser and director Gareth Edwards to achieve a grounded vibe for their ambitious new sci-fi epic, The Creator.
The Twilight Zone creator Rod Serling's TV episode-turned-film Patterns helped to shape Martin Scorsese's view of 'American corporate life' in his movies.
The tenth installment in the Saw franchise has finally arrived, and this dark and twisty entry comes packed with an explosive ending that will leave you shaken.
Gareth Edwards' The Creator asks powerful questions about the meaning of life, death, and power. Find out what happens in the finale with our ending explained.
/Film spoke with Once and Sing Street director John Carney about his new 'stealth musical' Flora and Son, starring Eve Hewson and Joseph Gordon-Levitt.
Spider-Punk is one of the coolest new characters in Spider-Man: Across the Spider-Verse, and now he's getting his own amazingly detailed Hot Toys figure.
Charlie Clouser, who has composed the score for every Saw film (including the new Saw X), tells us about centering the music around John Kramer/Jigsaw.
Matthew Vaughn's Argylle originally had a professional cat actor, but after the director found the feline 'useless,' he borrowed his daughter's cat instead.
See what critics and fans alike are making of Gareth Edwards' The Creator before it hits theaters. Is this original sci-fi good enough for box office glory?