Writer/producer/director/star Cooper Raiff returns to the festival scene with another low-key winner, delivering a winning performance opposite Dakota Johnson.
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Thandiwe Newton excels in co-writer/director Julian Higgins' feature directorial debut, playing a woman who has been pushed to the brink of what she'll accept.
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Director Shalini Kantayya dissects the rise of the wildly popular social media app and digs into the good, the bad, and the ugly of the viral sensation.
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Monia Chokri's manic and metaphorical new movie Babysitter uses heightened storytelling to explore several hot-button ideas.
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Filmmaker Nina Menkes provides an academic analysis of the depiction of women in film and how they're inherently objectified by the language of cinema.
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Sophie Hyde's intimate drama about intimacy is one of the highlights of Sundance so far, thanks in large part to the two stellar lead performances.
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Something In The Dirt is another winner from one of the wildest directing duos out there right now.
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Amazon has a new documentary coming in March that tells the story of Lucille Ball and Desi Arnaz from their early years to their super stardom and beyond.
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In Hatching, director Hanna Bergholm uses practical effects to deliver an effective exploration of puberty and the societal pressures placed on women.
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You Won't Be Alone might please hardcore folk horror fans, but it borrows too heavily from other, better films.
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Karen Gillan, Aaron Paul, and Beulah Koale co-star in the latest dark comedy from Riley Stearns, the director of Faults and The Art of Self-Defense.
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Columbus director Kogonada returns to Sundance with a low-key science fiction film about connections, loss, and celebrating the little moments in life.
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Maika Monroe thinks someone is out to get her in the ho-hum thriller Watcher.
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Bill Nighy delivers a dignified performance as a loyal bureaucrat who must reconcile his life's work after receiving a devastating diagnosis.
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Max Walker-Silverman's feature film debut features outstanding performances from stars Dale Dickey and Wes Studi.
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Riotsville, USA is a reminder that the more things change, the more they stay the same.
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When You Finish Saving the World ends up feeling like something made strictly for film fests.
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Sara Dosa's excellent documentary introduces us to Katia and Maurice Krafft, a power couple who studied volcanos and captured unreal footage of eruptions.
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The Princess is a well-made archival documentary about Princess Diana, but it doesn't offer anything really new to her story.
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A group of college students must weigh the pros and cons of calling 911 when faced with an unusual emergency in this film from the 2022 Sundance Film Festival.
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Do you like scary movies? Do you like talking about spoilers? Let's dive in.
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Beauty and the Beast is given a virtual makeover, and it's a much more complicated and cathartic tale than you expect.
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You're going to want to pay a visit to The House.
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Hotel Transyvlania: Transformania is a perfectly fine, mostly predictable end to the franchise.
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The 355 is not a terrible movie, but it is a terribly generic movie that wastes its impressive cast's talents.
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One of the best movies of 2021 will be streaming on Amazon Prime Video this Friday.
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You can watch the first 10 minutes of Ghostbusters: Afterlife online now, if you ain't afraid of no ghosts.
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