Movie Reviews - SlashFilm

two women in the woods walking next to one another, the woman in the background is holding a super 8 video camera

Jane By Charlotte Review: The Discovery Of A Mother Is A Quiet, Contemplatively Beautiful Thing

By Lex Briscuso March 18th, 2022

Jane By Charlotte is an intimate look at Jane Birkin through the eyes of her daughter, Charlotte Gainsbourg.

The Prank Review: Rita Moreno Is Deliciously Evil In A Black Comedy About A Teacher Framed For Murder [SXSW]

By Rafael Motamayor March 18th, 2022

Unsurprisingly, Rita Moreno is the best part of The Prank.

Hypochondriac Review: A Powerhouse Donnie Darko Riff About Mental Health [SXSW]

By Matt Donato March 18th, 2022

Hypochondriac entertains, informs, and terrorizes in equal bursts.

Windfall Review: A Tightly Woven Thriller With Killer Performances

By Danielle Ryan March 18th, 2022

Windfall is a lean, mean comedic thriller.

Tony Hawk: Until The Wheels Fall Off Review: It's Skate Or Die In This Revealing Portrait Of The Skateboarding Icon [SXSW]

By Ethan Anderton March 17th, 2022

Tony Hawk is the greatest living skateboarder, but despite the levels of fame and success he's reached, skateboarding has also brought him much pain.

Black Crab Review: A Post-Apocalyptic War Movie On Ice

By Chris Evangelista March 17th, 2022

Black Crab features soldiers ice skating to save the world.

Cheaper By The Dozen Review: An Overstuffed Pilot Episode Pretending To Be A Movie

By Josh Spiegel March 17th, 2022

There was potential here, but it goes unrealized.

The Outfit Review: Mark Rylance Is The Special Thread Holding This Tightly Wound Mobster Movie Together

By Hoai-Tran Bui March 17th, 2022

Mark Rylance is unsurprisingly the great performance that elevates this taut thriller that calls to mind better suspense films before it.

More Than Robots Review: Clever Kids Compute And Cooperate In A Delightful Documentary [SXSW]

By Ethan Anderton March 16th, 2022

Gillian Jacobs gets behind the camera to shine a light on the next generation of brilliant minds as they engage in a global robotics competition.

The Blind Man Who Did Not Want To See Titanic Review: A Unique Film With Great Empathy [SXSW]

By Chris Evangelista March 16th, 2022

The Blind Man Who Did Not Want To See Titanic is wholly unique, and features an incredible lead performance.

Deep Water Review: A Return To Thrilling, Trashy Erotica

By Josh Spiegel March 16th, 2022

Deep Water is a blend of internal character study and trashy 1990s erotica.

Slash/Back Review: Attack The Block Meets Reservation Dogs [SXSW]

By Matt Donato March 16th, 2022

Slash/Back is like Attack the Block meets Reservation Dogs.

Eternals group with spaceship in background

Chloé Zhao Wasn't Concerned By Eternals' Divisive Reviews

By Witney Seibold March 15th, 2022

The Oscar-winning director took a swing with her Marvel Cinematic Universe movie, and the response was divided. Here's her reaction.

Spaz Review: A Fascinating But Tragic Profile Of The Rebel Who Pioneered Modern Day CGI VFX [SXSW]

By Ethan Anderton March 15th, 2022

Spaz tells an intimate story that unfolds within a milestone moment in moviemaking history.

Panda Mei gets discovered by a classmate in "Turning Red"

Turning Red Spoiler Review: A Message We Need To Hear, No Matter How Old We Are

By Ben F. Silverio March 14th, 2022

Turning Red might be one of the most important Pixar films ever released.

Bad Vegan Review: Another Shocking, Twisty True Crime Docuseries From Netflix

By Chris Evangelista March 14th, 2022

Get ready for your new true crime addiction, until the next one comes along.

The Adam Project Spoiler Review: Scramblin' Towards Amblin

By Witney Seibold March 14th, 2022

It's a pity The Adam Project doesn't have anything remotely resembling an edge.

The Cow Review: Winona Ryder Goes Through A Bad Breakup In This Unfocused Thriller [SXSW]

By Chris Evangelista March 14th, 2022

Winona Ryder is the one bright spot in the otherwise murky thriller The Cow.

The Unbearable Weight Of Massive Talent Review: Nicolas Cage Is Nicolas Cage [SXSW]

By Jacob Hall March 14th, 2022

Nicolas Cage is fun as Nicolas Cage, but Pedro Pascal? We should keep an eye on that guy.

The Cellar Review: Who Says Math Can't Be Scary [SXSW]

By Matt Donato March 13th, 2022

The Cellar is an adventurously melancholic representation of Irish horror.

To Leslie Review: Andrea Riseborough Is Astounding As An Alcoholic Stumbling Towards Redemption [SXSW]

By Ethan Anderton March 13th, 2022

Andrea Riseborough is incredible in this drama about a lottery winner who drank away all her money and has to hit rock bottom hard before she turns it around.

Marcel The Shell With Shoes On Review: A Lovely Slice Of Whimsical, Melancholy Magic [SXSW]

By Jacob Hall March 13th, 2022

Jenny Slate voices your new favorite movie character.

Spin Me Round Review: Alison Brie Gets Embroiled In A Meandering But Entertaining Comedic Thriller [SXSW]

By Ethan Anderton March 13th, 2022

Alison Brie goes on a promising restaurant franchise retreat in Italy that slowly turns into chaos in the latest film from writer/director Jeff Baena.