Spiderhead Review: An Odd Blend Of Philosophical Sci-Fi, Psychological Thriller, And Dystopian Satire
Spiderhead is an enjoyable mixed bag.
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Official Competition Review: Penélope Cruz And Antonio Banderas Play The Fools In An Absurdist Arthouse Satire [Tribeca]
Official Competition is an absurd, darkly funny, if incomplete, portrait of ego in the age of buzzword-centric arthouse filmmaking. -
Jurassic World Dominion Takes An $18 Million Bite Out Of The Box Office In Thursday Previews
A dino-sized opening weekend seems imminent. -
The Janes Review: A Grim Reminder Of (Pro) Life Before Roe V. Wade
The documentary The Janes asks: do we not share an obligation to disrespect a law that disrespects women? -
Jurassic World Dominion Review: For The Love Of T-Rex, It's Time To Let This Franchise Finally Go Extinct
The new trilogy ends with a frail whimper rather than a T-rex-worthy roar. -
Hustle Review: A Predictable Underdog Sports Story That Still Manages To Charm
Hustle is formulaic, but gets by with charm and style. -
Fire Island Review: Jane Austen's Swoon-Worthy Romance Gets A Sizzling Summer Update
Fire Island is every bit the hilarious and semi-meta rom-com you expect, packed with quips and well-timed jokes. -
Benediction Review: Bold, Visionary Cinema That Lingers
Benediction is in equal turns lively, devastating, funny, hopeful, and heartbreaking. -
Broker Review: Kore-Eda Returns With Another Moving Drama About Found Families [Cannes]
A movie about found families and finding a home with each other. -
R.M.N. Review: A Boiling Pot Of Xenophobia Laid Bare [Cannes]
A stark warning about social division. -
Rebel Review: Bad Boys For Life Directors Return With Commendable Drama About Indoctrination And Inaction [Cannes]
A punishing musical war drama. -
Joyland Review: A Longing Examination Of Gender And Sexuality [Cannes]
Joyland is a profoundly moving film that might just make a difference -
Close Review: A Devastating Look At The Loss Of Childhood Friendship [Cannes]
A gut-wrenching study of loss. -
Crimes Of The Future Review: David Cronenberg Returns To His Body Horror Roots With A Gruesome, Darkly Funny Freak Show
David Cronenberg is back, baby! -
Guardians Of The Galaxy: Cosmic Rewind Signals A Fresh Direction For Epcot, Without Forgetting Its Past
Epcot's new attraction Guardians of the Galaxy: Cosmic Rewind mostly succeeds in fitting in with the aesthetic and history of the park. -
Top Gun: Maverick Spoiler Review: Tom Cruise Flies The Legacy Sequel Route
Tom Cruise's return in Top Gun: Maverick plays things a little too safe. -
Top Gun: Maverick Has Won The First A+ CinemaScore Of 2022
Top Gun: Maverick is a certified hit with general audiences as exit polls come in from its opening weekend. -
Top Gun: Maverick Scores A Huge $19 Million In Thursday Previews
Audiences are feeling the need to give theaters one of their biggest box office hits in years. -
The Silent Twins Review: A Moving, Creative Story About Individuality And Belonging [Cannes]
The Silent Twins tries to balance its many ideas. -
The Stars At Noon Review: A Lifeless Romance Unravels Slowly And Excruciatingly [Cannes]
A slow-burn romantic thriller that's so slow it doesn't really seem to go anywhere. -
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Moonage Daydream Review: A David Bowie Doc As Extravagant, Radiant, Otherworldly As The Legend Himself [Cannes]
An eclectic, frenetic, fascinating portrait of Davie Bowie. -
Decision To Leave Review: Park Chan-Wook Directs The Hell Out Of A Romantic Mystery [Cannes]
A fascinating and exquisitely directed film about desire, regret, and love. -
The Bob's Burgers Movie Review: A Double-Sized Episode With Extra Stakes And Extra Songs, But That's Okay
Time to read some erotic friend-fiction. -
War Pony Review: A Brutally Honest Look At Life On The Rez [Cannes]
War Pony boasts authenticity and empathy, with a stellar cast of mostly first-time actors. -
Holy Spider Review: A Disturbing Glimpse At An Iranian Serial Killer [Cannes]
Holy Spider is a brutally effective thriller. -
The Stranger Review: A Bleak And Subdued Australian Thriller Starring Joel Edgerton [Cannes]
A bleak thriller that boasts great performances from Joel Edgerton and Sean Harris.
