The composers provided the score for several different projects that are wildly divergent in tone, but they always bring a sense of curiosity to their work.
O Brother, Where Art Thou? was one of the first films to be entirely color timed through a digital intermediate, and that's a bigger deal than it might sound.
In a recent interview, the director clarified his assertion that he wanted to make the "definitive" Viking film, spoke about how the budget ballooned, and more.
Jeremy Lasky, whose credits at Pixar include Wall-E, Toy Story 3, and many more, tells us about serving as the director of photography on this unusual spin-off.
The director and producer of Pixar's new sci-fi adventure film Lightyear give us some insight into making a movie designed to be seen in theaters and more.