When designing The End of Oak Street's dinosaurs, there was a Jurassic-sized elephant in the room. The director tells us how he made his dinos stand out.
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Producer J.J. Abrams wasn't sure that The End of Oak Street would secure a coveted PG-13 rating, but as he told us in this interview, he sure is happy it did.
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Kevin Smith is writing an official Star Wars/Marvel comic book crossover storyline, so let's talk about the elephant in the room.
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We know him, we're scared of him, and we love him. Albert Wesker is a beloved villain from the Resident Evil games, but which film appearance is the best?
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With endless guest stars and quirky plots, "Psych" put the fun back into murder mysteries. Here's how each season stacks up.
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Halo: Campaign Evolved suggests that a 'definitive' Halo movie or TV adaptation isn't advisable and the best approach is to try something new instead.
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One Night Only director Will Gluck knows that you're calling his movie the "sex Purge," but he wants you to know it's more than just that.
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One Night Only director Will Gluck tells us about shooting at the film's final location, a place you don't normally see pop up in films set in New York City.
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During our Reacher Season 4 set visit, stunt coordinator Buster Reeves told us the first word that went through his head when he initially read the scripts.
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Reacher actor Alan Ritchson told us on a set visit that he views his character like an alligator, and he explained how that mentality informs his performance.
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Matt Johnson, the filmmaker behind the A24 film Tony, gave star Dominic Sessa an unusual piece of direction before they started production.
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During a Reacher Season 4 set visit, /Film learned that there's a secret Reacher character who has been referenced in the background of nearly every season.
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We spoke with Tony director Matt Johnson and stars Dominic Sessa and Stavros Halkias about the best scene in the A24 film, and why it works so well.
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For Reacher Season 4, Alan Ritchson and the stunt/fight coordinators took inspiration from classic movies directed by Steven Spielberg and Christopher Nolan.
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During a Reacher Season 4 set visit, director Sam Hill told /Film how the show handles Jack Reacher's lack of evolution as a character.
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We visited the set of Reacher Season 4, where star Alan Ritchson told us about the show's approach to outdoing what it did in the third season.
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Kelly McCormick, who's produced some of the biggest action movies in recent memory, tells us what most American action films are missing in their approaches.
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Kristen Bell plays Mrs. Claus in Violent Night 2, but Santa Claus' wife almost debuted in the first movie, and that would have changed everything.
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'Here's the thing: You are going to the movies to be entertained. I know it. I want to be entertained when I'm writing it.'
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Marvel movie costumes have had an annoying issue for years, but Spider-Man: Brand New Day largely dispenses with that problem in favor of a better approach.
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Online takes regarding The Odyssey, Disclosure Day, and more have us convinced some people are watching movies 'wrong.' What's happening here?
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Let's look at all of the ways Your Friendly Neighborhood Spider-Man's season 1 finale teases storylines that will likely happen in future seasons.
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Beverly Hills Cop: Axel F director Mark Molloy tells us about working with Eddie Murphy on the long-awaited sequel, balancing nostalgia, and much more.
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Mike Flanagan's new series attempts to make you cry as much as make you scream. Here are the scariest moments from The Midnight Club.
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One of our writers wasn't up for a Spider-Man reboot in 2012. Here’s how Andrew Garfield’s The Amazing Spider-Man played for them in 2026.
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In light of Glen Hansard's tragic death, join us as we honor his Oscar-winning work on one of the best movies about music ever made.
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From M.A.N.T.I.S. to Ash vs Evil Dead, here are Sam Raimi's contributions to TV, from the short-lived to the legendary.
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