The Early 2000s Remake Boom Was A Low Point For The Horror Genre (With A Few Notable Exceptions)
Everything old is new again, especially in the horror genre.
Read MoreEverything old is new again, especially in the horror genre.
Read MoreAcclaimed writer Brian K. Vaughan co-wrote the screenplay for Dune: Part Three, and he's also responsible for one of Marvel's best Doctor Strange comics.
Read MoreWarner Bros. asked V For Vendetta director James McTeigue to cut something from the movie, and it's probably not what you'd expect. Thankfully, he said no.
Read More20 years after the film's theatrical release, V for Vendetta director James McTeigue has some thoughts on real-life activist groups using the Guy Fawkes mask.
Read MoreKPop Demon Hunters has completed an astounding cinematic Cinderella story, going from cast-off to multi-Oscar winner.
Read MoreStar Trek: Starfleet Academy season 1 clocked in at only 10 episodes, but the contours of its story would have greatly benefitted from a much longer season.
Read MoreIf Amy Madigan wins an Oscar for her memorable performance as Aunt Gladys in Weapons, it should not be considered merely a "career Oscar."
Read MoreUniversal Pictures has changed course regarding the amount of time many of its movies will play in theaters, which could be very attractive to big directors.
Read MoreAs one of the longest-running TV shows of all time, "Law & Order: SVU" has seen hundreds of characters come and go. None of them are better than these 15.
Read MoreRyan Coogler's spectacular vampire horror film Sinners features a handful of subversive choices, but the bravest of them isn't being discussed very much.
Read MoreDeath tends to follow the Duttons in the Yellowstone franchise, and one of our writers expects that to remain the case in the Dutton Ranch spin-off.
Read MoreSince Star Trek launched its streaming shows in 2017, it seems like the franchise has become overly reliant on one particular trope.
Read MoreThe HBO series DTF St. Louis was originally going to be based on a true story. Showrunner Steven Conrad tells us why his plan changed.
Read MorePillion, A24's dom/sub relationship drama, features many intimate acts, but star Harry Melling and director Harry Lighton explain one you don't see on screen.
Read MoreDebates over whether Marvel or DC has the best shared comics universe miss out the one clear winner: Hellboy and the Mignolaverse.
Read MoreRoy Lee, a producer of the horror thriller Psycho Killer, tells us that the film's grossest scene could have been even more excessive.
Read MoreThe writer/directors of the sci-fi indie film Redux Redux tell us how Marvel Studios inadvertently helped give them an assist with their screenplay.
Read MoreSeason 3 of Tell Me Lies concludes in a fittingly dramatic fashion, and showrunner Meaghan Oppenheimer had a blast writing its final scene.
Read MoreMany effects-driven children's films of the early 2000s were terrible, offensive, and poorly made. But at least they were obvious disasters.
Read MoreDirector Gore Verbinski tells us about his approach to his AI villain in Good Luck, Have Fun, Don't Die, his first feature film in ten years.
Read MoreIn our interview, the director of the new Charli XCX movie The Moment explains the hidden layers of meaning to ending the film with that specific song choice.
Read MoreIt turns out the funniest line in the new A24 Charli XCX mockumentary The Moment was improvised by co-star Alexander Skarsgard.
Read MoreWe've got the inside scoop on where to spot a somewhat hidden Easter egg in the latest episode of Star Trek: Starfleet Academy.
Read MoreStar Trek: Starfleet Academy showrunners Alex Kurtzman and Noga Landau spoke with us about those Deep Space Nine veterans' return in the show's fifth episode.
Read MoreStar Trek: Starfleet Academy features a surprising cameo from a Trek franchise actor. Here's how the showrunners made it happen.
Read MoreFilmmaker S. S. Rajamouli told us about some of the inspirations for his new epic Varanasi, including how a surprising IMAX screening informed his vision.
Read MoreVaranasi, RRR director S.S. Rajamouli's new maximalist epic, has a scope that makes James Cameron's Avatar feel puny in comparison.
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