Our Flag Means Death season 2 sees the introduction of a new character played by Ruibo Qian -- one whose historical authenticity isn't exactly by the book.
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David Gordon Green's The Exorcist: Believer, nobly attempts to de-center white, male, Catholic saviors in its story. Here's how and why.
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We spoke with Leprechaun writer/director Mark Jones about the best and worst Leprechaun films, working with soon-to-be-star Jennifer Aniston, and more.
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The Breaking Bad writing staff was under a tremendous amount of pressure to end the show on a high note with its fifth season. Here's how they pulled it off.
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We spoke to Our Flag Means Death creator David Jenkins about the beloved pirate comedy's second season, casting guest stars, practical sets, and much more.
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Before the physical media release of Prey (available today), we spoke with director Dan Trachtenberg about creating Predator weapons, a deleted scene, and more.
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What's your favorite death trap from the Saw franchise? The franchise's producers, Mark Burg and Oren Koules, have some faves of their own.
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The Comedians of Comedy was produced by Netflix in 2005, years before streaming, and it's a raw and entertaining chronicle of a hilarious stand-up tour.
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In which the director of the Toxic Avenger remake tells /Film how he made a movie scene where Peter Dinklage does the unthinkable.
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The longtime producers of the Saw franchise on listening to the fans, their favorite traps, and the majesty of Tobin Bell.
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Do you want to play a game? Saw franchise composer Charlie Clouser tells us what it takes to create scary music for a Saw movie.
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Thanks to Saw X, Saw composer Charlie Clouser has surpassed Star Wars maestro John Williams when it comes to scoring more films in a single franchise.
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The Creator director gave his VFX team an unusual task: Create blockbuster-level visual effects without the typical equipment on set. Here's how they did it.
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Saw X producers Mark Burg and Oren Koules knew longtime Saw franchise editor Kevin Greutert was the only director equipped to handle the midquel.
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Oren Soffer worked with Oscar winner Greig Fraser and director Gareth Edwards to achieve a grounded vibe for their ambitious new sci-fi epic, The Creator.
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/Film spoke with Once and Sing Street director John Carney about his new 'stealth musical' Flora and Son, starring Eve Hewson and Joseph Gordon-Levitt.
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Charlie Clouser, who has composed the score for every Saw film (including the new Saw X), tells us about centering the music around John Kramer/Jigsaw.
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The directors of Disney's new animated film Wish tell us what they hope audiences take away from it, and talk about working with Chris Pine and Ariana DeBose.
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The Bruce Willis and Cybill Shepherd-led show Moonlighting will soon finally be streaming, and we spoke with the show's creator about why it took so long.
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We spoke with Wish co-writer and Walt Disney Animation head Jennifer Lee about the new film, channeling rage into action, and her position in Disney history.
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For his sci-fi epic The Creator, Gareth Edwards had an original anime series created to appear on a TV screen in the background of certain scenes.
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The Creator director Gareth Edwards used an old-school technique in order to better bring the futuristic U.S. military spaceship NOMAD to life in the film.
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For the alien invasion flick No One Will Save You, director Brian Duffield went back to the old school Gray alien that's become so prominent in pop culture.
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Are you and a friend or loved one looking to go head-to-head across a dining room table this holiday season? We've got game recommendations for ya!
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Scott Waugh tells us how Expendables 4 delivers something audiences have never seen before, and how the franchise is more 'grounded' than its contemporaries.
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Scooby-Doo on Zombie Island is the best Scooby-Doo movie ever made, and the secret to the film's success lies in what it learned from The Twilight Zone.
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John Carney, the writer/director behind the 2016 musical Sing Street, told us he has considered making Sing Street 2, but gave his reasons for not pursuing it.
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