The Assistant director Kitty Green spoke with us about her suspenseful new thriller The Royal Hotel, which she describes as the 'hardest job' she's ever done.
Unlike his Halloween trilogy, David Gordon Green's The Exorcist: Believer required the director to take a more atmospheric, character-driven approach to horror.
Our Flag Means Death season 2 sees the introduction of a new character played by Ruibo Qian -- one whose historical authenticity isn't exactly by the book.
We spoke with Leprechaun writer/director Mark Jones about the best and worst Leprechaun films, working with soon-to-be-star Jennifer Aniston, and more.
The Breaking Bad writing staff was under a tremendous amount of pressure to end the show on a high note with its fifth season. Here's how they pulled it off.
We spoke to Our Flag Means Death creator David Jenkins about the beloved pirate comedy's second season, casting guest stars, practical sets, and much more.
Before the physical media release of Prey (available today), we spoke with director Dan Trachtenberg about creating Predator weapons, a deleted scene, and more.
The Comedians of Comedy was produced by Netflix in 2005, years before streaming, and it's a raw and entertaining chronicle of a hilarious stand-up tour.
The Creator director gave his VFX team an unusual task: Create blockbuster-level visual effects without the typical equipment on set. Here's how they did it.
Oren Soffer worked with Oscar winner Greig Fraser and director Gareth Edwards to achieve a grounded vibe for their ambitious new sci-fi epic, The Creator.
/Film spoke with Once and Sing Street director John Carney about his new 'stealth musical' Flora and Son, starring Eve Hewson and Joseph Gordon-Levitt.
Charlie Clouser, who has composed the score for every Saw film (including the new Saw X), tells us about centering the music around John Kramer/Jigsaw.
The directors of Disney's new animated film Wish tell us what they hope audiences take away from it, and talk about working with Chris Pine and Ariana DeBose.
The Bruce Willis and Cybill Shepherd-led show Moonlighting will soon finally be streaming, and we spoke with the show's creator about why it took so long.
We spoke with Wish co-writer and Walt Disney Animation head Jennifer Lee about the new film, channeling rage into action, and her position in Disney history.
The Creator director Gareth Edwards used an old-school technique in order to better bring the futuristic U.S. military spaceship NOMAD to life in the film.
For the alien invasion flick No One Will Save You, director Brian Duffield went back to the old school Gray alien that's become so prominent in pop culture.
Scott Waugh tells us how Expendables 4 delivers something audiences have never seen before, and how the franchise is more 'grounded' than its contemporaries.