The indie comedy The Incomer starring Domhnall Gleeson has a wonderfully hilarious gag involving Lord of the Rings, but executing it was pretty tricky.
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The directors of Forgotten Island tell us about how the movie's best scene was inspired by legendary anime filmmaker Satoshi Kon.
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Brad Bird has been trying to make Ray Gunn for decades. Here are the most interesting things we learned about the long-awaited film at an early press day.
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/Film spoke with one of the visual effects supervisors of Spider-Man: Brand New Day and learned about the movie's most impressive (and invisible) visual effect.
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The Season 4 finale of Reacher puts our hulking hero in a position he's never been in before, and the result is one of the wildest fights in the show's history.
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We had a long talk with Foundation showrunner David S. Goyer about the twists in the season 3 finale, the lesson he learned working with Chris Nolan, and more.
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Star Trek: Strange New Worlds Season 4, Episode 8 is a showcase for Paul Wesley as James T. Kirk, and the episode puts him in a fascinating situation.
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The best episode of Star Trek: Strange New Worlds Season 4 so far was inspired by a classic 1990s movie directed by the late Rob Reiner.
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Adam Wingard, the director of Onslaught, tells /Film what he aimed to do with his new genre thriller after spending the past few years making Godzilla movies.
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Onslaught star Adria Arjona played Bix on both seasons of Andor, and she tells us what she learned from that production that she was able to apply to Onslaught.
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We visited the set of Shaun the Sheep: The Beast of Mossy Bottom and came away with a renewed appreciation for Aardman's approach to stop-motion animation.
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Casper Kelly's horror film Buddy became a surprise box office hit in its debut weekend. Roadside Attractions president Howard Cohen tells us how it happened.
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Adam Wingard went from indie horror darling to helming two blockbusters with Godzilla and King Kong, and told us the hardest part about making a Godzilla movie.
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As soon as the decision was made to adapt Lee Child's Gone Tomorrow for Reacher Season 4, it was clear that changes needed to be made to the story. Here's why.
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Too Many Cooks director Casper Kelly tells us about the deleted scene he had to remove from Buddy, his disturbing new feature film.
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The director of the existential horror film It Ends explains why liminal horror is such a big deal right now and why it's resonating with audiences.
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Star Alan Ritchson was as shocked as you were by the big twist in the fourth episode of Prime Video's Reacher Season 4. Here's what he told us on the set.
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There's a reveal in the fourth episode of Reacher Season 4 that changes the shape of what the season might look like and presents Reacher's biggest threat yet.
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When designing The End of Oak Street's dinosaurs, there was a Jurassic-sized elephant in the room. The director tells us how he made his dinos stand out.
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Producer J.J. Abrams wasn't sure that The End of Oak Street would secure a coveted PG-13 rating, but as he told us in this interview, he sure is happy it did.
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One Night Only director Will Gluck knows that you're calling his movie the "sex Purge," but he wants you to know it's more than just that.
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One Night Only director Will Gluck tells us about shooting at the film's final location, a place you don't normally see pop up in films set in New York City.
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During our Reacher Season 4 set visit, stunt coordinator Buster Reeves told us the first word that went through his head when he initially read the scripts.
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Reacher actor Alan Ritchson told us on a set visit that he views his character like an alligator, and he explained how that mentality informs his performance.
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Matt Johnson, the filmmaker behind the A24 film Tony, gave star Dominic Sessa an unusual piece of direction before they started production.
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During a Reacher Season 4 set visit, /Film learned that there's a secret Reacher character who has been referenced in the background of nearly every season.
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We spoke with Tony director Matt Johnson and stars Dominic Sessa and Stavros Halkias about the best scene in the A24 film, and why it works so well.
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