A Deadpool & Wolverine producer told us about an early idea for what Deadpool 3 could have been like before Hugh Jackman joined, and it's cracking us up.
We sat down with Marvel Studios head Kevin Feige to talk about Deadpool & Wolverine, the lessons he learned from implementing Spider-Man into the MCU, and more.
The director of Oddity pieced together his supernatural horror film from several disparate ideas, not realizing the risk of that approach until post-production.
Minari director Lee Isaac Chung was afraid to direct a big-budget movie like Twisters, but in our interview, he tells us why he decided to face his fears.
To celebrate the 25th anniversary of SpongeBob SquarePants, we spoke with the main cast members about their auditions, the unusual recording process, and more.
Sausage Party: Foodtopia has all the violence and graphic sexuality that the movie did, but the series takes things a bit further with one specific sex scene.
Twister director Jan de Bont says Warner Bros. didn't consider a sequel in the aftermath of the film's huge success. Listen to our full interview with him here.
Beverly Hills Cop: Axel F director Mark Molloy tells us about working with Eddie Murphy on the long-awaited sequel, balancing nostalgia, and much more.
A Quiet Place: Day One director Michael Sarnoski cites Steven Soderbergh's Ocean's Eleven as part of the reason food plays such an important role in his films.
The Bikeriders director Jeff Nichols tells us that his Alien Nation remake is still in the works, but at a different studio and with a different title.
House of the Dragon Showrunner Ryan Condal dishes on small council meetings, balancing Team Black and Team Green, and George RR Martin's recent comments.
What happened to the memorable, hummable movie themes that used to populate American blockbusters? We spoke with several Oscar-winning composers to find out.
Ishana Night Shyamalan has worked as a second unit director for her father, M. Night Shyamalan. For The Watchers, he worked in that capacity for his daughter.
In a Violent Nature reshot the first four weeks of its production, which is a pretty extreme feat for an independent film. Director Chris Nash explains why.
The first 10 minutes of Pixar's Up went through several changes during development, including last-minute tweaks to its score by composer Michael Giacchino.
George Miller, the maestro behind the Mad Max films, tells us about working with Anya Taylor-Joy and Chris Hemsworth on Furiosa, the power of myth, and more.
Executives at 20th Century Fox had so little faith in audiences at the time that they nixed one-time director Renny Harlin's ambitious vision for Alien 3.
Warner Bros. wanted to ruin the best moment from Deep Blue Sea by putting it in the film's trailer, but director Renny Harlin fought back and took a stand.
The opening anti-gravity attack in Dune: Part Two is what Oscar-winning cinematographer Greig Fraser refers to as 'peak sci-fi,' and we steadfastly agree.
Kingdom of the Planet of the Apes director Wes Ball tells us that the relationship between the ape Noa and the human Mae will be 'crucial' to possible sequels.
Hundreds of Beavers, an unhinged comedy about a man hunting, um, hundreds of beavers, used no improv at all and instead stuck super closely to its storyboards.