Mark Anthony Green, the writer/director of A24's Opus, tells us about creating credible pop music for his film & writing a cult manual we'll never get to read.
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Bugs Bunny does not appear in The Day the Earth Blew Up: A Looney Tunes Movie. The director explains why that character sat out this historic Looney Tunes film.
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Bong Joon Ho and actors Toni Collette and Naomi Ackie talk about how their new film Mickey 17 reflects our world, and how to survive oppressive conditions.
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Charlie Cox and Vincent D'Onofrio explain why Matt Murdock/Daredevil and Wilson Fisk/Kingpin share so little time on screen together in Daredevil: Born Again.
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There's a lot of confusion about what intimacy coordinators do on film and TV show sets. We interviewed two to discuss what their job entails.
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Director Oz Perkins tells us about bringing The Monkey to life, why he doesn't think of it as a horror movie, and his next film (which is coming out this year).
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Lee Child, the creator of the Jack Reacher character, appreciates that Reacher star Alan Ritchson's performance really nails one particular aspect of the hero.
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There's a stunt in Reacher season 3 that caused star Alan Ritchson to bleed all over the set for multiple takes. Hear him tell the story on today's /Film Daily.
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Better Man's festival battle climax had some obvious influences (LOTR & GOT), but you'll never guess the 1990s French film that also inspired that wild scene.
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After a great teaser kept things mysterious, the full trailer for Companion gave away one of the film's biggest twists. Does knowing that twist hurt the movie?
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David Koepp, screenwriter of the first Jurassic Park, returned for Jurassic World Rebirth and says it's 'a chance to start over' while remaining in continuity.
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Here's why Rockstar Games, the publisher of the Grand Theft Auto video game franchise, allowed the filmmakers of Grand Theft Hamlet to make their movie.
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Peacock's new Saturday Night Live documentary series, SNL 50: Beyond Saturday Night, proves why the sketch show is truly immortal.
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The directors of the fantastic documentary Grand Theft Hamlet tell us how they managed to make an entire film set within the world of Grand Theft Auto Online.
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Showrunner Dan Erickson tells us about the Severance season 2 premiere, Ben Stiller's reaction to the show's ending, and much more.
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Writer/director Christian Gudegast takes us inside the world of Den of Thieves 2: Pantera, highlighting the fact that the heists are based on real robberies.
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Robert Eggers tells us why horror films are often undervalued by audiences and the Academy Awards, and explains his take on the power of vampire movies.
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We spoke with Oscar-winning writer Philippa Boyens about returning to Middle-earth for The Lord of the Rings: The War of the Rohirrim and The Hunt for Gollum.
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We interviewed Y2K director Kyle Mooney, co-writer Evan Winter, and stars Jaeden Martell and Julian Dennison about the A24 horror comedy.
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We spoke with Jude Law about working with a young cast of co-stars on Star Wars: Skeleton Crew, and chatted with the creators of the show as well. Check it out.
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Filmmaker Kevin Smith made a cameo appearance in the season 36 premiere of The Simpsons, which came as a surprise to... Kevin Smith.
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We spoke with the new chief creative officer of Walt Disney Animation about Moana 2, working with Dwayne Johnson, the supporting characters, and more.
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Parker Finn, the writer/director of Smile and Smile 2, says he wanted audiences to feel complicit in the sequel's spectacular ending.
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Ever wonder why there are so many production company logos in front of movies? What did each of those companies actually do, anyway? Here's the answer.
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Director Damien Leone allows improvisation on the Terrifier sets, making one of Terrifier 2's creepiest scenes the result of a happy, unplanned accident.
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In our interview with Heretic directors Scott Beck and Bryan Woods, the duo reveal the dark inspirations behind Hugh Grant's Mr. Reed.
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/Film visited Walt Disney Animation Studios for an early preview of Moana 2, and we've broken down everything you need to know about the anticipated sequel.
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