Ever wonder why there are so many production company logos in front of movies? What did each of those companies actually do, anyway? Here's the answer.
/Film visited Walt Disney Animation Studios for an early preview of Moana 2, and we've broken down everything you need to know about the anticipated sequel.
We Live in Time's director tells us about reuniting with Andrew Garfield, compares Florence Pugh to a heat-seeking missile, and much more in this interview.
On this episode of /Film Daily, we spoke with A Nightmare on Elm Street's Robert Englund & Heather Langenkamp about Wes Craven's vision for the horror classic.
Saturday Night director Jason Reitman and co-writer Gil Kenan are definitely keen on doing some kind of SNL sequel, maybe even several across different eras.
We spoke with Damien Leone, David Howard Thornton, and Chris Jericho about Terrifier 3, the inspirations for Art the Clown, Christmas-themed horror, and more.
An emotionally devastating closing moment of Slow Horses season 4 wouldn't have happened without a season 3 scene where two actors overdelivered in a big way.
Director Damien Leone allows improvisation on the Terrifier sets, making one of Terrifier 2's creepiest scenes the result of a happy, unplanned accident.
Acclaimed former stuntman Vic Armstrong tells us about his experience directing the opening future war sequence of Terminator 2 and fighting with James Cameron.
For James McAvoy, acting in the remake of Speak No Evil gave him a better understanding of how men are being radicalized online. Here's our interview with him.
Alex Gibney tells us about directing HBO's two-part doc Wise Guy: David Chase and The Sopranos, including its fascinating recreation of the opening credits.
We spoke with Rebel Ridge director Jeremy Saulnier about Aaron Pierre's terrific lead performance, the influence of First Blood, and the film's ending.