Kayleigh Donaldson
School
University Of Edinburgh, University Of Dundee,
Expertise
Pop Culture Criticism, Celebrity Culture, Awards Season
- Kayleigh's biggest pop culture fascination is celebrity gossip. For over two years, she's written the popular newsletter, The Gossip Reading Club, which dissects vintage celebrity reporting through a contemporary gaze. Her newsletter was recommended in the New York Times as a must-read.
- A long-time Oscar obsessive, every year Kayleigh hosts a pre-Oscars party (due to the US/UK time difference) and owns a hefty shelfful of books dedicated to the machinations of Hollywood old and new.
- In 2018, Kayleigh received a Master's degree in film studies, graduating with distinction, and she puts her qualification to good use every day with her job. After graduating, she returned to her old university to talk to new students about the realities of working in the world of entertainment journalism.
Experience
Kayleigh is the features writer and editor for Pajiba.com and has been a full-time pop culture writer and critic for over six years. She has written for a variety of publications, including /Film, IGN, Uproxx, Total Film, Vulture, Little White Lies, The Daily Beast, Paste, and many more. Kayleigh has written extensively on film and pop culture, with a special interest in the ways that cinema intersects with celebrity culture, feminism, awards season, and more. She's covered a wide variety of topics, from romance novels to body horror to how to win an Oscar. She has also appeared on CBC Radio and BBC Radio 4 (Mark Kermode once said she was great).
Education
Kayleigh received her MA (hons) in Celtic studies and English literature from the University of Edinburgh in 2012, then received her MLitt in film studies from the University of Dundee six years later.
/Film is one of the most trusted entertainment sites on the web, catering to the particular interests of film buffs, binge watchers, and casual fans. We cover everything from big releases from Marvel, DC, and Disney to independent film and classic Hollywood, and we do so while maintaining a firm commitment to journalistic integrity and excellence.
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Stories By Kayleigh Donaldson
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Hollywood doesn't have a great reputation for adapting anime, but the Wachowskis' Speed Racer is a welcome and amazing exception.
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Can the new film succeed where the original failed?
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Before Oppenheimer saw Cillian Murphy unleash the atomic bomb, he appeared in Danny Boyle's Sunshine with a similarly apocalyptic intent.
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Succession star Brian Cox's take on Hannibal the Cannibal wasn't charismatic or likable - but he was very, very dangerous.
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Let's be honest: it's kind of a surprise that it's taken this long for killer whales to revolt against humans.
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Why didn't Sin City inspire Hollywood?
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He's a brilliant actor, one of the greats of his time, but surely we should leave room for there to be more greats to follow in his path?
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I'm a vampire! I'm a vampire! I'm a vampire! I'm a vampire!
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Naked Lunch is one of Cronenberg's lesser-discussed, gnarlier adaptations. It was so unexpected that it sank under the radar for years.
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A mockery of nostalgia becomes a piece of nostalgia.
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But will it affect the ratings for the broadcast of the ceremony?
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Colours of the world! (Spice up your life); Every boy and every girl! (Spice up your life); People of the world! (Spice up your life) — Aaaaaahhhhhh...
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"Marty! 'Kundun!' I liked it!"
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Treasure Planet remains an important, if somewhat tragic, relic of the downfall of hand-drawn animation in American cinema.
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For almost a century, stop-motion has been a pioneering tool of movie-making — and it should continue to be.
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I don't have faith. I'm not going to Hell.
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We have such sights to show you! But some sights are better than others, especially in the Hellraiser franchise.
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Who's to say that love needs to be soft and gentle?
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Even as the rest of the film industry slowly starts to give women more chances in creative roles, the world of animation lags behind.
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AMC's Interview with the Vampire series changes up the setting and some character details from Anne Rice's novel.
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Tom Hanks' performance as the villainous (and vaguely Dutch) manager Colonel Tom Parker in Baz Luhrmann's Elvis biopic is over-the-top for good reason.
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The movie musical was considered dead. And then Baz Luhrmann came along.