Three posters for Judd Apatow’s follow-up to 40 Year Old Virgin have been released.

Martin Scorsese’s latest film has grossed over $125 million domestically, and has become an award nomination black hole. Even though [spoiler alert] most of the main characters are no longer living by the time the credits role, talk has already begun of a Departed sequel.

One of our favorite films at Sundance 2007 was Eagle vs. Shark (a film I tell people is Little Miss Sunshine meets Napoleon Dynamite). Well it looks like Eagle vs. Shark loves us back.

Smokin Aces hit the big screen on January 26th, and we have t-shirts and lazer pointer keychains for a couple lucky /Film reader. All you need to enter is to e-mail us with the reason why you should get this DVD (note: you must first register with /Film). On February 5th we will e-mail the winners with the best answers. More information on the release can be found after the jump.

Uwe Boll is known for creating some of the worst movies of all time out of video game adaptations (Alone in the Dark, BloodRayne, House of the Dead). We now have a look at the first trailer for Boll’s latest: POSTAL.

Brokeback Mountain Collectors Edition hit DVD store shelves on January 23rd, and we have a copy for one lucky /Film reader. All you need to enter is to e-mail us with the reason why you should get this DVD (note: you must first register with /Film). On February 5th we will e-mail the winner with the best answer. More information on the release can be found after the jump.

So we’ve been on location in the famous little mountain town in Utah for almost two weeks now. We saw over 30 films in a 9-day period, can you even imagine?

But the Sundance Film Festival has come to an end. Our bags are packed are we will be returning to sunny California on Monday afternoon. So for those of you who have been wondering: Are they going to get back to the mainstream news and reviews, fear not. We will return shortly to the relm of comic book movies and romantic comedies. We’re still behind on our Sundance reviews, so also be sure to expect some more indie in the days to come.

Andrew Wagner was at Sundance two years ago with his break-out film The Talent Given to Us. In his emotional introduction to Starting Out, he explained how he sat in the huge Eccles theater wishing to someday have a film of his own on the gigantic big screen. He couldn’t get anymore words out, he just tried to hold the tears back, for like two minutes. It was the most emotional Sundance moment I’ve seen in a while.

I didn’t want to see Snow Angels at first. I was outside the first screening when a busload of people decided to walk out. “Terrible, Depressing” they said. But then in the days that followed I ran into a lot of people on the shuttles and at the theaters that were raving about the flick. But I still refused to believe it was good. I mean, how could a busload of people walk out and it be a great movie? Than one of my Sundance friends expressed the same opinion. And so far I’ve pretty much agreed with her on every movie thus far. But the only screening of Snow Angles that remained was during Grace is Gone, which is probably the biggest hyped film at the fest at this point in. So I had to see that instead.

I got up early, ran to the Library to get in through

Charlie (Michael Douglas) has just returned from a two-year mental facility visit. His self reliant daughter Miranda (Evan Rachel Wood) refuses to even acknowledge that he is in fact her father. Charlie becomes obsessed with finding hidden gold left by Spanish missionaries. Believing that he has deciphered a code, he sets off on a journey to hunt down the buried treasure, somehow sucking his daughter into his maddening odyssey. The climax leads them on a hilarious laugh-out-loud mission to break into a Cost-co.